How to Record Your First Radio Show

27 May

This is part 2 of ‘How to Start A Radio Show From Scratch.’ For part 1, click here.

You've got your concept. You know what your show is about and who it's for. Now comes the part that stops most people: actually making it.

The good news is that you don't need a studio, expensive gear, or years of experience. All you need are a few good habits and the right approach from the start.

Get the basics right before you press record

The most important rule in audio is the −6dB rule. Keep your levels in the green, NEVER let them hit the red. Once audio clips, the distortion is almost impossible to fix in post-production. It's far better to record quietly and boost later than to record loud and ruin it.

If you're recording vocals, you don't really need acoustic panels and a sound proof room (especially with the incredible dynamic mic I’m recommending below). Face an open wardrobe. The hanging clothes absorb echo and reflections in the same way a treated room would. It's free, it works, and it makes a noticeable difference.

You don't need much to start

For hosts, a phone and GarageBand or Audacity is enough to make your first show. For DJs, Rekordbox and Virtual DJ both have free versions you can mix with using a keyboard and mouse.

When you're ready to invest, a Samson Q2U (around £60–80) is the best entry-level microphone for radio (or podcasting), it works via USB and and can connect directly to a DJ deck or audio interface. A Pioneer DDJ-FLX4 is a solid first controller if you're mixing while the Scarlett Studio is a classic option for those programming straight into a DAW.

Build your show like a journey, not a playlist

Before you select a single track, map out your structure. A good show has an intro, a build, a peak somewhere in the middle or final third, and a cool-down at the end. Every track should earn its place; ask whether it serves your theme before it goes in.

If you're a host using a DAW, record your voice on a separate channel from your music. This gives you full control in editing. Whenever you speak, duck the music down by doing this live or automating afterwards and aim to talk every two to four tracks.